Thursday, March 12, 2015

Provoking Photographs by Vanessa Hsiao

Oh my gosh! That was the thought I had when I saw Gordon Parks work in his exhibition, Back to Fort Scott. I paid my second visit to the Museum of Fine Arts, Boston on March 10, 2015.

Parks is an African American photographer who at that time, worked for Life magazine.  In 1950, Parks returned to his hometown Fort Scott, Kansas to take a series of photographs of his classmates to create “Back to Fort Scott”.

In one of his photographs, Parks photographed his friend Mazel Morgan and her husband Willie Hubbard in their hotel room in Chicago’s all black Bronzeville neighborhood. Morgan relaxed and slumped in a chair next to a window and looks out the window at a blank brick wall. Hubbard lying down on a bed next to Morgan’s chair and smoking a cigarette while staring at the ceiling. The photograph was definitely beautiful and told a story and all those components a skilled photographer knows but that wasn’t what caught my attention.

The description of this photograph talks about the journey of Morgan and Hubbard. The last sentence struck me. It explains that the couple wasn’t exactly financially stable. But then the description ends with “ When Parks prepared to depart, Willie pulled a loaded .45 on him and demanded all of his money, which he quickly handed over.” (Parks, Museum of Fine Arts)

Many of Parks’ work send the readers with either positive or negative messages. Whatever the message is, whether you take it from the photograph itself or the description, it is worth seeing, thinking, and discussing about.

 

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