The Language of Bodytraffic @ ICA

review by Mike Templeton

3/14/17

 This performance requires a special kind of attention and focus that is generally not needed for a piece of theater or a musical symphony or concert. The performance and language of dance can be quite a different experience for the viewer because that person needs to take the time while watching the show to interpret what exactly is being expressed in the choreography. The idea of observing the dancers tempo with the music being played and how this makes the viewer truly feel is something which requires time and dedication.  All of these emotions were asked of the audience at Bodytraffic which, is a touring dance production that found a home at the Institute of Contemporary Art in Boston, MA. 

The range of the performers was incredible to witness and celebrate along with the individual energy each performer displaces into the performance which is quite contagious and engages the audience throughout the entire show. This is because everyone on stage is exactly attentive of the tone of the show and the dancers reflect this by behaving in a very spontaneous, funny way. This was best embedded into the rich body language the performers exhibit when the dance takes on a very detectable mood or feeling. For example, when the lights would dim and the score would take on a very earnest tone which would fill the space, the performers would either lament in sadness or express other emotions with the language portrayed on their face and body. This was incredible to see from the audience perspective because it gives the viewer an understanding of the situation in the story because every dance just like music or theatre tells a story.

It is with dance however that a different type of attention is required in order to understand it because there is no dialogue, or tempo of melody which is apparent in music concerts and theatrical performances.  That is why while watching a dance show the viewer who doesn't frequently appreciate the art of dance needs to just think of it like a unique language that takes time to appreciate as a true art form. Since dance has a more abstract nature it feels as if for the person who is not accustomed to the effect it can have on a person should leave the theatre after the show and take the necessary time to truly reflect on what was just witnessed and observed. Once again, Bodytraffic provides the perfect opportunity for people to reconnect with the true language and meaning of choreography. It is truly something special.