Beethoven’s Best
by Lucy Opalka
Music is stirring. The Boston
Symphony Orchestra certainly proves that point.
The Orchestra, with Christoph Von
Dohnanyi conducting, did an all-Beethoven program. They performed “Leonore”
Overture Number 3 first. Afterwards, they did Piano Concertos Number One in C,
Opus 15 and Number 2 in B-flat, Opus 19. The soloist was Yefim Bronfman.
The Overture was my favorite part of
the performance. Each member played exceptionally well. Also, the piece was a
great as it was emotional, and was a good introduction to the program. The
piece starts out slowly but grows to be playful with a flute soloist. The
orchestra did a fantastic job with their “call and response”, or timing with
each other. This was seen especially between the woodwinds and string
instruments. The balance between
instruments was always impeccable.
The first piano concerto was a
little dry for me. Although it was executed very well, it did not reach the
level of emotion as the other pieces did. Mr. Bronfman showed how skilled he is
at the piano. It provided interest, but I found it a little dull at times. But
I can still only commend the placement of the piece, right before the
intermission. This stopped you from leaving the performance on a bad “note”,
pardon the pun.
The last piece, Piano Concerto
Number Two in B-flat was the best piece. It lured the audience in, and was
completely captivating. Mr. Bronfman showed off his ability to blend with the
other instruments, and his ability to add character to the piece. The best
movements were definitely the last two, the Adagio and Rondo. Also, the horn
and bass players stood out to me in this piece, but only in a way that
flattered the performance.
The Boston Symphony Orchestra did
Ludwig van Beethoven justice. They grasped the technical aspects of his music,
such as the dynamics. But they also brought his work to a whole new level; they
added emotion. They made the music personal, which is never easy. Altogether,
this was a spectacular performance.
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