Showing posts with label James Finneral. Show all posts
Showing posts with label James Finneral. Show all posts

Wednesday, March 18, 2015

A Big Time Performance of Big Fish by James Finneral


            Speak Easy Stage Company’s rendition of Big Fish will take you on an unforgettable journey. On Wednesday, March 18th we traveled to Boston Center for the Arts to watch a production of Big Fish. Big Fish is musical based on both a novel and a movie telling the story of Edward Bloom of Alabama. Edward is known to tell a lot of farfetched stories and anecdotes especially to his son Will. Will feels as if he does not know his father very well because of all the unbelievable stories he tells. At Will’s wedding Edward’s doctor notices that Edward has lost some weight and appears to be in pain. He suggests that Edward come in to the doctors office to be checked out. At the doctors office it is concluded that Edward has fast growing cancer, but he does not want Will to know that. When Will figures out about the cancer, he really wants to build a stronger relationship with Edward. Will and his wife, Josephine, look through some of Edward’s old possessions when they find a deed signed by both Edward and his high school crush, Jenny Hill. After this Will constructs a list of all the stories that Edward has told him over the years, to try and get a better understanding of him. The show then adds in a series of flashbacks of Edwards stories. Will goes to Edward’s bedroom and asks him about the deed and Edward lashes out at him. Will proceeds to visit Jenny Hill where she tells him the true story of how Edward saved his hometown of Ashton. When Will returns Edward continuously asks him how his death begins, but will doesn't know because he was never told the story. The two then head down to the river where they used to fish, all of the characters from Edward’s stories meet him to say goodbye. A funeral is held for Edward and the play is ended with Will singing “Be the Hero” to his son which is the same song Edward sung to him as a child.

            First off the acting in this performance was very solid. Although there were a few cheesy moments the actors put on a very believable performance in an extremely fictional play, which can be hard to do. I would love to go through all the actors, but I’ll just highlight a couple. Sam Simahk as Will Bloom provided the whole package of quality acting and singing. Simahk delivered incredible solo performances and also worked well with his fellow other actors. His presence on the stage was incredible and without him the production would have been completely different. Steven Goldstein also had an unforgettable performance as Edward Bloom. Goldstein did a great job both acting and singing. The set of the show was interesting as there were a couple of sheets in the background where there would be projections to show the setting of the scene. I think this was a decent way to show the scene, but there could have been a more effective way to do so. In terms of the style, they were very much trying to re-create and exact story instead of letting the audience know that it is just theater. I believe that style worked well for this performance because the story of the play almost required that method. The most impressive thing about this performance was how clearly the story was told. There were many flashbacks in the show and they were done so cleverly that they were easy to identify as an audience member. Watching the performance I never had to work extra hard to figure out the story because the play was executed so well. Both the director, Paul Daigneault and the actors deserve credit for the clear story telling.

            You should certainly view this production because of the great story to go along with some excellent music. I promise that you will not be perplexed through the entire show because it is done in a way that makes it understandable to all audiences.   

             

Tuesday, March 17, 2015

A Museum of True Art Collectors by James Finneral


            The Clark Museum is located in Williamstown, Massachusetts and is one of the most renowned museums in the area. The Clark consists of a collection from Sterling and Francis Clark. The museum does not only display art, but it also serves as a research center. The museum has a vast collection of paintings, sculptures and prints. The pieces in each gallery are arranged in an intentional order.

            In Room 9 of the museum there are paintings on each wall and a couple of small sculptures in the middle. The pieces in the room seem to circle along the topic of history, mainly the life of Jesus Christ. There are paintings of  Christ as a baby being nurtured by his mother, there is one of him being crucified and there are a few of him with his parents and disciples after he has been killed from crucifixion. Although there are paintings of other people, the main point of this room seems to be the celebration of Christ’s life.

            The paining that drew me in the most was The Lamentation by Jan Provoost. The painting shows the scene on a hill right after Christ has been taken off of the cross. Joseph is supporting the dead body of christ. John, an apostle of Christ, is supporting Mary who is hysterically crying. There is another girl on the right of Christ on her knees praying. Behind the scene there is a man inside a little opening of the hill who appears to be preparing a tomb. At the far right side of the painting there is a city which appears to be at the bottom of the hill. They brought Christ from the city up to the hill and crucified him.

            Provoost did a great job making the painting appear very life like. For example in the painting Christ is shirtless and his chest and his stomach both look very realistic. Another impressive detail about this paining is how Provoost shows the emotion of the characters in the painting. Everyone in the painting is crying, but Provoost does not show that by painting tears, but by making the outside of the character’s eyes red showing that they have been crying. I thought this was a very cool way of showing the character’s emotions and would be much more effective than painting in tears.

            As for the museum as a whole I think we can make the inference that Sterling and Francis appreciated all types of art work. From the beautiful landscape paintings, to the sculptures and to the paintings about historical events, it is obvious that the Clarks enjoyed a wide variety of work. The work in the Clark Museum is extremely impressive and if you are close by Western Massachusetts you should definitely stop by. If you are extremely religious I would certainly recommend going to Room 9 and taking a look at some of the pieces at the different times in Christ’s life.   

                

Friday, March 13, 2015

A Self-Portrait That Will Draw You In by James Finneral

            Last Friday we visited the oldest of the Harvard Art Museums, the Fogg Museum. The Fogg Museum opened in 1896 and is run by Harvard University in Cambridge, Massachusetts. There is a wide variety of art in the museum ranging from objects from ancient times to paintings that were created within the last century. A painting that caught my eye instantly when I entered a gallery on the first floor was Self-Portrait in Tuxedo by Max Beckmann. Beckmann was born in 1884 and worked in many different mediums such as painting, sculpture and printmaking. He was known for the many self-portraits he created in the early 1900’s. Beckmann created this particular self-portrait in 1927, but did not open it to the public until 1928.

            Beckmann uses oil on canvas for this painting and uses thick paint which creates large planes of color. The image consists of Beckmann in a tuxedo staring directly at the viewer. He has a very blank, but serious facial expression. He appears to be in a dark restaurant or cafe and has a cigarette in his hand. There is a window in the background, but it is completely fogged giving the portrait an even more dim feeling. Beckmann’s pose is very interesting where his left arm is bent and is holding the cigarette while his right hand is against his hip. This pose looks a little awkward, but it also makes Beckmann look more serious.

            The impressive aspect about this painting is Beckmann’s use of color to create shadows. The most obvious example is in his face where Beckmann used white on one side of his face to show some sort of light shining on him and then uses a type of brown towards the middle of his face to show a shadow. Another example is his hands where the back of his hand is white and his fingers are a shade of brown. The use of shadow Beckmann provides gives the self-portrait an even more of an intense feeling. I also enjoy how this portrait fits right in with the style of his other self-portraits. After researching Beckmann I realized he has done many self portraits at many different locations. They all contain the same theme of him never smiling. From his paintings that I have seen I would infer that Beckmann was not a very cheerful person. I enjoy how he is not afraid to show his own personality through his work. I recommend stopping by the Fogg Museum and I guarantee this painting will draw you in.      

Thursday, March 12, 2015

Attention to Detail Pays Off by James Finneral

                Thursday the crew took a trip to the Museum of Fine Arts in Boston, Massachusetts. The museum contains various types of art such as American, European, Ancient and Contemporary. In Gallery 255 there are many landscape paintings mostly by Claude Monet, but one piece that really caught my attention was The Regatta by Theodore van Rysselberghe. It is oil painting on canvas that Rysselberghe made when he was on a Mediteranian cruise with Paul Signac. A regatta is a sporting eventing consisting of boats or yachts so Rysselberghe must have observed the regatta from up on a hill. The painting overlooks to ocean with many jagged rocks on the coast line. Above the jagged rocks is a nice slope with green/yellow looking grass. There are ripples in the painting where the waves are in the ocean and the horizon is set very high up on the canvas.

                I felt that this piece was carefully crafted and beautiful from both up close and far away. From a distance it looked like a beautiful scene of a bunch of sail boats in a blue ocean, jagged rocks and a green hill. When you observe the painting from up close you realize just how impressive the painting is. The style used in the painting is pointillism which is a technique of using small dots of color in patterns to form an image. Rysselberghe used an entire collection of colors to create the image. He incorporates blues, greens, pinks and purples into the ocean using the pointillistic style. In the hill there are greens, yellows and oranges. It is amazing that he was able to incorporate all these colors in his painting and style make it look beautiful. Rysselberghe’s attention to detail in The Regatta has opened my eyes to have difficult pointillism is. I would highly recommend stopping by the Museum of Fine Arts and you have to go to Gallery 255 to see The Regatta and many other great works. 

Wednesday, March 11, 2015

A Unique Spin on a Classic Play by James Finneral


                The Glass Menagerie is a play written by Tennessee Williams that premiered in 1944. It is a four character play that heavily revolves around three of the characters who are family members. The family has a mother, Amanda Wingfield, a son, Tom Wingfield and a daughter, Laura Wingfield. There is significant turmoil within the family as they wonder how to support themselves without the father around. Tom is also the narrator throughout the play and the play revolves around Tom’s lack of desire to provide well for his family. Tom would constantly take trips to the “movies” where he would actually be doing something he is not supposed to be doing. Throughout the play, Amanda wants Laura to find a guy with a decent paying job so they can get married and he can help the struggling family. Laura is an extremely shy girl who dropped out of her college business course and is constantly spending time with her glass menagerie. Later on in the play Jim O’Connor, a friend of Tom’s and an acquaintance of Laura enters. Amanda desperately wants Laura and Jim to get married, but it turns out that Jim is already engaged. Amanda is heartbroken and at the very end Tom announces that he will be leaving, following in his father’s footsteps. Trinity Repertory Company put on a production of The Glass Menagerie on March 11th 2015. The production was extremely unique and many different things caught my attention.

                When you first set foot in the theater you will see an elevated stage with no curtain covering backstage. The set continues in front of and behind the stage with many props scattered all over the place. At the start of the play the audience could see a couple of stage managers operating technical things in the play, but then a curtain was used to block a visual of them. This was instantly confusing as to whether or not they wanted us to see the stage managers or not. Although this was confusing I enjoyed how the stage managers would come out and help with props or costumes for the characters. This shows that they are not trying to recreate a parallel universe, but just let the people know that they should just enjoy the acting. This adds to the fact that this production was more presentational than representational meaning the company was not trying to create an absolutely realistic set. The more presentational style of the production ultimately helped it out. 

                Some of the directorial choices from Brian Mertes made the production less effective. There would be moments in the play that just did not make sense such as Tom having to wear red nail polish as well as put on makeup at the beginning of the second act. That choice was very unnecessary and would have benefited the play if it was not there. Another thing that really bothered me during the performance were the multiple things going on stage at once. An example of this was when Tom and Amanda were having a conversation and Laura was in the back studio singing. Another time was when Tom and Amanda were talking again and Laura was on the lower level looking at her glass menagerie and Jim was sitting on a couch at the very back of the stage reading a book. This caused me to look in multiple places during the scene and lose focus on the point of the scene. Mertes brought very unique ideas to the production, but they definitely did not do the show justice.

                Lastly the best part of the production was easily the actors. Anne Scurria brought a very fun and energize quality to the role of Amanda which made her character very interesting. Mia Ellis did a nice job carrying a seriousness to the role of Laura even during outrageous situations for example when she could not answer the door. Dennis Kozze made his presence known late in the show with many comedic lines as Jim O’Connor. Lastly Brian McEleny stole the show with his historical portrayal of Tom. He took on such a ridiculous role with seriousness which made his performance that much more entertaining. Although I did not enjoy when he put on makeup, I understand that it was more of a directorial choice than his own. The actors really did help keep this production afloat.

                If you are a person who is willing to work extra hard to comprehend the play then I recommend going, but if not do not waste your time because there are many choices in the production that are very confusing and take away from the meaning of the play.   

 

Sunday, March 8, 2015

A Life Changing Performance by James Finneral


A Life Changing Performance by James Finneral

Watching the Boston Gay Men’s Chorus (BGMC) is unlike any other choral performance you will see. The BGMC took the stage on March 8th 2015 at Groton Dunstable Regional Middle School. The BGMC consists of a handful of men that sing with passion and emotion, and try to get their message across to the public.

This was a special concert for the BGMC because they performed a selection of songs mainly by Stephen Schwartz who wrote music for the productions Wicked, Godspell and Pippin. This selection engaged the crowd because many of the audience members knew a great deal of the songs. For almost all the songs the chorus was backed up by Chad Weirick the piano accompanist. Weirick was a huge asset to the BGMC, performing many mind boggling solos as well as providing nice background music for the chorus. It was refreshing to see the BGMC start off the performance by singing The Spark of Creation in unison and then proceeding to put in solos during other songs. A huge reason why the BGMC was so successful when they performed was because they kept the audience engaged at all times. A prime example of this was before the song Popular from the Broadway musical Wicked, a few members of the chorus put on a very comedic skit of one individual being excluded at first and then being changed by the others to be “popular”. The skit also brought forth a very meaningful message as the person who was changed by the others ended up not going along with the changes and saying he was fine the way he was. The BGMC kept implementing powerful messages in their songs about overcoming the discrimination against homosexual human beings. It was such an emotional and powerful performance that it even moved some people to tears. One more aspect that needs to be recognized was the performances of James Patrick Lobo and Andrew Martinez as they sang For Good from Wicked. The chemistry that Lobo and Martinez had on stage was clear to everyone in the building. After their moving performance it turned out that Lobo and Martinez actually had their first rehearsal three hours before the show which made it that much more impressive.

Attending the BGMC is unlike any other choral performance because they are singing about issues that many people face each day. They keep the crowd engaged with their emotional performances, but they are also having a ton of fun while doing it. Between the talent of the singers and piano player, as well as, the strong messages behind the songs, the BGMC is definitely worth going to see.