Showing posts with label Charlie Chaplin. Show all posts
Showing posts with label Charlie Chaplin. Show all posts

Tuesday, March 5, 2013

Accidental Adventures with Chaplin by Kara L'Heureux


Accidental Adventures with Chaplin by Kara L'Heureux

Chaplin and his billionaire friend from City Lights
          City Lights is the story of a mischievous Little Tramp and his accidental adventures.  This funny story has moments of love between the Tramp and a blind girl, and mischief between the Tramp and his friend the Drunk Billionaire. With silly moments and little gimmicks and jokes the story is always interesting and funny in new ways each scene.
          Even at a time with sound in movie technology now available this silent movie still competes in its own unique way.  Using very few speech cards it shows emotions and tender moments easily.   It also uses sped up film, quick gags, music, and sound effects for comedic effect. This film is also never slow or dull with a quick changing plot and comedic moments filling in the gaps in the story’s plot.
          Charlie Chaplin succeeds as both an actor and director. As an actor he lives in the character creating his own walk and way of communication.  He is always in the moment of his character and every action he does is over the top and shows what kind of person the tramp is. The tramp steals every scene with his hilarious movements and his silly mistakes making the character very likeable.
         As a director Charlie accomplishes his biggest goal in making the story clear without speech.  Chaplin challenges himself and doesn’t go little with plot lines. Filming wise he films each scene in one shot making them fluid and realistic. With his wide angle filming he also tells the story from the point of view of the audience and keeps the plot the main focus instead of the individuals. The choices he makes are bold but make the story unique and entertaining. The love story between the blind girl and the little tramp shows a relationship through touch and speech but without any speaking, touch becomes the most important sense. Chaplin makes every movement between these two so clear allowing the audience to believe that they love each other even when one can’t see.
          City Lights story is not completely new but the way Chaplin reinvents it come of fresh and funny.  The story has many repeating moments like when the drunken billionaire remembers the tramp and then when he is sober and forgets the tramp. These little moments move along the story and add problem and calamity. This movie contains a little bit of everything, love, comedy and expresses it all without speech. Chaplin’s classic film competes with many movies that have sound and speaking. It has received its title as a classic for a reason and this funny movie will do much more them make viewers laugh.  

The Secret to Silence by Aoife Hughes


The Secret to Silence by Aoife Hughes
still from City Lights
           Unlike any romantic comedy I have ever seen before, City Lights, Charlie Chaplin’s 1931 blockbuster movie, is a master class in silent film. From scene one it was more of a challenge to watch, purely because of the polar difference between films produced and released in this decade and those from the mid 20th century. The question regarding how emotion would be conveyed without words was asked early on in discussion of the film. However emotion and thoughts of the characters were interlaced seamlessly through the story to make sure of a good watching experience for the audience.
             Virginia Cherrill, who played the role of the blind flower girl, shows incredible skill and ability in portraying her thoughts without any words understood by the audience. An interesting dynamic to the role of the blind flower girl is that alongside being blind, the  film is silent, meaning that neither the sense of sight or hearing is used by Cherrill’s character in the film. However, close ups on her face, along with body language and occasional text cards to display words and thoughts that were impossible to do so without them, made the blind flower girl’s role interesting, and even at points relatable. Cherrill’s acting should be credited greatly for her ability in this film to depict such a complex character.
            City Lights will forever be recognized as one of the greatest movies ever made because of the skill required to execute such a complex plot with so little communication through words.