Mary,
Queen of the Heavens by Patrick Burns
Death and the Assumption of the Virgin by Fra Angelico |
Purchased in 1899 by Isabella
Stewart Gardener from art historian Bernard Berenson, Fra Angelico’s Death and the Assumption of the Virgin (1432) hangs on the side of an ornate
fireplace mantle in the Isabella Stewart Gardner Museum’s Early Italian Room.
If you are not particularly observant, you may pass by the diminutive exquisite
work of art. But if you navigate the museum with care, actively searching each decorated
wall, doorway, and ceiling, you will be sure to find this 61.8 x 38.5 cm treasure.
Death and the Assumption of the Virgin is
the final piece of Fra Angelico’s four piece series depicting the life and
death of the Virgin Mary. The tempura painting features two depictions of Mary;
mortal Mary’s corpse on earth, and immortal Mary’s spirit in heaven. Mary’s corpse lies on a gilded bed, surrounded
by apparitions of Christ and his disciples, as her spirit ascends to heaven,
welcomed by a choir of angels. Fra Angelico adorns his figures in vibrant
pinks, greens, and blues, giving the painting a celebratory richness. The use
of gold lacquer throughout heavenly skies create a sense of enveloping
holiness, giving the figure representative of Mary’s spirit an otherworldly
aurora. Though the vibrancy and impressive gold work separates this work of art
from the characteristically darker 15th century paintings found in
the museum, the most striking element of the painting is the contrast between
ornate holiness and naturalism. The figures in the painting retain a sense of humanity
through the natural positioning of their faces and bodies, which works against
the notion of depicting religious figures idealistically, an idea common to
many of Fra Angelico’s contemporaries.
The vibrant hues and grand, golden glazes of this painting may capture
the eye at first, but Fra Angelico’s attention to detail in the depiction of
facial expressions and body language will keep the viewer in awe.
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