review by Chloe Hoang
3/10/17
The Night of the
Iguana
The
surprised and horrified look on Pedro when he walked out of the room matches
exactly the audiences’ faces. Tennessee Williams sure knew how to capture the
audience’s attention quickly and surely give them something to remember. Pedro
started the play running outside the resort room while rushing to pull up his
pants, and hopefully it was accidentally that he showed a little more than he
should have.
The
play is quite slow. This fact has been confirmed not just by the younger
audiences, but also some of the older ones. The left wing of theatre definitely
has a different musical experience with the rest the audience because instead of
the acoustic version of the songs, an improvised remix of acoustic and men
snoring on their wives were played.
The
actors all performed in a very professional manner. There were times that Bill
Heck (Lawrence Shannon) and Amanda Plummer (Hannah Jelkes) did mess up and
forget their lines. They bravely moved on and kept their act, even though it
was somewhat noticeable. Being able to stay professional all throughout is
hard, and not all actors can do so well. Other times, they were not able to
control the volume and annunciation very well, making it hard for the audience
to fully understand them. Though the actors might not have created the ambiguity
on purpose, it made audience members to pay even closer attention to try to
make sense of what was happening on stage.
The
best thing about this play was definitely the stage setting and effects. From
the resort, to the sky, to the rocks on the side, and to the lighting at times,
everything added up to a very real place and mood for the show. Moreover, the
real rainfall at the end of the first half is extremely impressive. Combined
with the thunder sound and the the abruptly low lighting, it was as if the
whole room is experiencing the storm without getting all wet.
Unlike the typical cliché love story, the
ending of the show was neither dramatic nor a hundred percent a happy ending.
Tennessee Williams must love surprising people, because from the beginning till
the end, the play was full of unexpected details. He proved that through having
the flashy beginning, to the improvisational remix, and the sudden indoor
storm, to a radically soft ending. The success of this slow-pace play is
because of the unexpected twists it has.
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