The Curious Incident of the Dog in the Nighttime
review by Heaven Bellamy
review by Heaven Bellamy
This production's length is no
match to the attention that it demands. Immediately, the audience is stricken
with the loud beckoning of bass, video game sound effects, and the blasting of
bright white dots across each dimension of the cubed stage. Each moment is
meticulous with intention which gives the opportunity for the audience to
engage their own interpretation of what Christopher experiences as an autistic
teenage boy working through issues with his family.
The way that Christopher
struggles through his moments of sensory overload are executed ingeniously.
During his first behavior, an officer touches his shoulder and a blaring noise
comes from the speaker, along with a display of aggressive sharp moving lights.
The directors of this play certainly took advantage of their ability to use
pixel mapping, and EOS Ti. In several scenes, there were images projected onto
the walls of the 4 sided cubed stage. This created an environment where the
audience was able to experience how Christopher was feeling.
The stage and props were
incredible, but the precise choreography for each moment was astounding. There
were moments of unison where the cast on stage preform the exact movement, as
well as moments where each person is doing a different movement in an effort to
create an image on stage.
The story line itself was not
as intriguing as the way that it was represented. This might be good because of
how packed the show is in its use of props, staging, movement, and pixel
mapping. To make the story more interesting might have been overwhelming for
the audience, but regardless, the story line is mostly dense with details,
instead of context.
The Curios Incident of the Dog
in the Night Time is a theatre production that is worth the watch at the Boston
Opera House. While the story line is not the best part of the play, it is certainly
entertaining enough to support the amazing set design and the varied use of
technology.
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