review by Mark Bedetti
3/17/17
Everyone’s A Critic
Bernard
Haitink leads an expedition on producing the masterpiece that is Beethoven’s
Symphony No. 7. The combination of the music itself, the musician’s talent, the
venue, and the composer’s work at leading hundreds of musicians created a
musical piece that truly represents the talent of the Boston Symphony
Orchestra.
A constant
variable in the show as well as all of the show’s that the orchestra performs
there is the location of Symphony Hall. Placed within one of the most popular
areas of Boston, Symphony Hall attracts people from all around the region to
come view the performances. The theater itself opens up into an astounding
proscenium stage lined with gold paint trimmed around the edge of the stage. The
extensive orchestra seating runs Red velvet lines the railings of the balcony
that runs the perimeter of the room up until the stage in a horseshoe shape. Chandeliers
hang from the high ceilings that are receded in square-shaped patterns creating
an incredible setting for sound to carry all the way through the hall. The
stage was raised above the orchestra seating so that even the seats in the back
could see what was going on. Although the lights were dimmed in the audience
and shined on the stage, there was still a fair amount of light on the audience
creating a more immersive experience feeling like you were closer and more
apart of the performance. This allowed the audience to be far more aware and
involved in what was going on on the stage.
The musical
talent that each of the musicians hold allows for the highest quality possible
of the music itself. With hundreds of musicians on stage, it is easy for the
performance to sound catastrophic and disorganized. However, the result was the
exact opposite with an unbelievable synchronization even in the most complex
areas of the piece. Beethoven’s Symphony No. 7 has an astounding amount of
alteration in the volume of the piece. The room could have been anything from
near silent to blaring out into the audience turning the hall into an unbelievably
powerful environment. This was not only a role played by those playing an
instrument, but also a role played by the female singers who added an
unbelievable amount to the tone of the music and adding an intense feeling to
the performance. The conductor Bernard Haitink was another piece of the puzzle
that made up a truly incredible experience. There was not one moment during the
show where Haitink was not showing emotion whether it came from his face or
body language. It was apparent that this emotion had a strong interconnection
with the music and it translated over into how the audience reacted to it as
well.
The Boston
Symphony Orchestra’s performance of Beethoven’s Symphony No. 7 was a powerful
and seemingly perfect example of pure talent and what someone might consider
“Candy” to the ears.
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