review by Sammy Gelerman
Could you
imagine stepping inside the mind of another human being? How about a fifteen-year-old
autistic boy, who is a challenge to understand, and who doesn’t listen to his
elders when he’s told to stop playing detective and to let the mysterious death
of Wellington the dog rest in peace? The
Curious Incident of the Dog in the Night Time adapted by Simon Stephens, took advantage of their unique set to
help the audience step inside the complex mind the main character, Christopher.
The stage
was a three dimensional cube, with three open walls. Within each wall on the
stage, dots of lighting created many small squares the covered the length and
width. The dots lit up in white, green, or red and were used to convey images
of emotion on the way. Also the dots would light up and flash to portray to the
audience, how Christopher was feeling. The props used, were remarkable and
added to the technology used to depict the storyline. The way they used the shifting
of lighting, and props to show the audience different locations and change in
scenes.
The story
line was very simple and the sensory details, although shown very well, lacked
a thrilling climax. With the story, creating a more colorful flashy visual may
have taken away from plot. However, this theatre production, shown at the
Boston Opera house was certainly eye opening, and it gave the audience a look
inside the life of someone unique a most likely someone very different from
themselves any anything they know.
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